What fascinates me about this history isn't so much the fact that they did, in the end, find a real, high firing porcelain clay body but the wildly experimental, alchemical process of developing these recipes that have all sorts of interesting properties in themselves.
prior to mixing the batches: putting the necessary and clearly labeled quantities of glass (square boxes in front with white powder) and clay (soup buckets behind; greyish powder) together |
The clay mix consists of 50% kaolin and 50% ball clay; the glass powder is the finest clear Bullseye frit.
This phase is very technical, there's not a lot of room for creativity yet... but I'm curious what will come out of it. If this goes well, I'll have a whole range of clay/glass bodies to play with!
the clay part is in itself a mix of two clays: kaolin (this is the white powder; the main ingredient in porcelain) and ball clay (greyish powder; a very plastic clay) |
making clay: adding clay powder to a certain amount of water (and mixing and sieving again later on) |
More photos of the working process on flickr!
Hello!! And good luck with your experiments! Your voice sounds inspired, I'm eager to see the results. There's magic in your art!...
ReplyDeleteHi Rossichka, what a nice surprise! It's so good to see you... :-) I'm pretty excited of how the experiments will play out as well... As for now I'm collecting the different samples to have them fired in the kiln all together, so it would give a result that's easier to compare... to be continued! ;-)
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